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Humberto Cerrudo
"H. Cerrudo" Professional Charango - Naranjillo Wood Scales 36, 37 and 38
IMCHA245
Price:
$592.50
String Type
Standard
Metalic Medina Artiga-1240 (+$16.83)
Nylon Medina Artiga - 1230 (+$14.53)
Equalizer
None
ARTEC FS-4 (+$99.00)
ARTEC ASE-N (+$114.00)
ARTEC AGE-7 (+$165.00)
ARTEC HT-G (+$178.00)
Hanger and fitting button
None
Hanger and fitting button (+$14.99)
Hardcase or softcase
None
Awayo softcase (+$16.60)
Canvas softcase 1 (+$20.00)
Classic hardcase (+$56.00)
Aluminium hardcase (+$99.00)
Awayo hardcase (+$56.00)
Hardcase - Awayo Detail (+$52.00)
Hardcase A model (+$56.99)
Charango - quena case (+$59.00)
Canvas softcase 2 (+$24.15)
Semi rigid case (+$75.00)
Add to cart
Professional Charango manufactured in the Aiquile region by luthier Humberto Cerrudo. The cover has two cuts on the left side of the box. The soundhole, head and edges are decorated with the ¨threaded¨ technique.
Characteristics:
Sound box: White Pine
Finger board: Jacaranda
Type of wood: Naranjillo
Soundhole: Round
Strings: Nylon 1240
Tuning pins: Metallic
Bridge: Bone frets
Aviable in scales: 36, 37 and 38
Tuning: Mi 4. 40
Frequency: 4. 40 Hz
Approx. size
Length: 66 cm (25. 98")
Width: 18 cm (7. 08")
There are many stories of how the charango came to be made with it's distinctive diminutive sound box of armadillo. One story says that the native musicians liked the sound the vihuela (an ancestor of the Classical Guitar) made, but lacked the technology to shape the wood in that manner. Another story says that the Spaniards prohibited natives from practicing their ancestral music, and that the charango was a (successful) attempt to make a lute that could be easily hidden under a garment. It is believed the charango originated in the 18th century Andes somewhere in modern-day Potosí Bolivia, probably from Amerindian contact with Spanish settlers.